“If you hear a voice within you say ‘you cannot paint,’ then by all means paint, and that voice will be silenced.” VanGogh
I’ve always admired the works of VanGogh. And perhaps because of my fascination with mental health (and society’s aversion to discussing it), I must admit that I looked forward to learning more of this great artist’s highly speculated background at the museum exhibit that MacGyver and I attended a couple of weeks ago.
Our museum headphones were our guide as we carefully threaded our way through the crowds and learned about this fascinating, yet troubled, artist.
A pastor’s son from Holland, Van Gogh didn’t start painting until he was 27 years old. This was after stints as a book store clerk, an art salesman and even a preacher. He died at 37. He sold one painting while he was alive.
After being dismissed for being overzealous as a preacher, VanGogh set out on a quest, seeking the meaning of life while painting as a way to merge his spirituality with his love for nature, art and literature. Much of what is known about him is from thoughtful letters to his brother throughout the years.
During his ten short years of his painting, he spent time in Belgium, Paris, Southern France and then in northwestern suburbs of Paris. He largely taught himself to paint through art instruction books and observing the techniques of other artists. During each of these phases, his art took on the characteristics of what he was learning and experiencing as he battled bouts of mental illness.
My favorite paintings are from the time before his death in the northwestern suburbs of Paris, when his intense emotions gave way to his use of vivid colors and dramatic brushstrokes, and he painted nearly a painting a day for 70 days before his death. His letters explained in revealing detail how these paintings explained the loneliness he felt and the comfort which the countryside provided for him.
Before that in Southern France (where he committed himself to a mental facility after an intense altercation with Gaughin, a leading French Post-Impressionist artist who he looked up to) and then during his final days, VanGogh painted dozens of wheat fields, which are some of my favorite VanGogh paintings. He was drawn to them because of his spiritual connection to nature and because he saw the fields as metaphors for humanity’s cycles of life through growth and vulnerability.
I’ve tried to mimic his work in my painting shown here which resembles his “wheat field under cloudy sky” painting and incorporates a farmhouse which he also enjoyed painting.
VanGogh’s letters reveal that he was an eloquent writer with extreme intelligence, perspective and sensitivity, along with thoughts much deeper and more reflective than any of the seemingly sane around him. I must wonder how he would do in our modern world today. Would he be diagnosed, treated and blend better in society? Or would that have stifled his creativity and suppressed his talent?
“When I have a terrible need of – shall I say the word – religion. Then I go out and paint the stars.” VanGogh
What VanGogh painting stands out most in your mind?
Made it out of the blue and the brown … not a drop of brown or blue paint can be found on this latest funky painting.
One of the greatest American artists of the 20th century and the very first female American Modernist painter, O’Keeffe didn’t play by any established rules. She made her own. Gotta love that.
life on wry 